Le Fabuleux Destin d’Amélie Poulain

I just watched Amelie for the first time in years; it’s a Friday evening and there’s nowhere I want to be more than snuggled up with my dog watching the colourful world of possibly one of the most feel-good films ever made.

Jean-Pierre Jeunet’s vision of technicolor Paris is peppered with tinges of nostalgia; his characters are timeless, though of course the catalyst for Amelie’s adventures is the death of princess Diana…which leads her to a hidden treasure she feels compelled to return to its rightful owner…



This film always reminds to be playful, to be kind, and to see the mischievousness in the mundane. And it’s hard not to be at least a little in love with Audrey Tatou…

Amelie’s style is so gloriously French; nonchalant mismatched Montmartre glamour rather than the polished Parisian luxe we associate with French style now. Bohemian rather than boho, rich colours in well worn fabrics; it’s a look the French pull off impeccably but so often falls short in attempts to replicate the same effortless, guileless, almost incidental design.

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