Le Fabuleux Destin d’Amélie Poulain

I just watched Amelie for the first time in years; it’s a Friday evening and there’s nowhere I want to be more than snuggled up with my dog watching the colourful world of possibly one of the most feel-good films ever made.

Jean-Pierre Jeunet’s vision of technicolor Paris is peppered with tinges of nostalgia; his characters are timeless, though of course the catalyst for Amelie’s adventures is the death of princess Diana…which leads her to a hidden treasure she feels compelled to return to its rightful owner…

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This film always reminds to be playful, to be kind, and to see the mischievousness in the mundane. And it’s hard not to be at least a little in love with Audrey Tatou…

Amelie’s style is so gloriously French; nonchalant mismatched Montmartre glamour rather than the polished Parisian luxe we associate with French style now. Bohemian rather than boho, rich colours in well worn fabrics; it’s a look the French pull off impeccably but so often falls short in attempts to replicate the same effortless, guileless, almost incidental design.
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